Mat Roberts + Friends.

Lev 1 Esquires Bedford. 16th March 2008.

Sunday afternoon here in Danny's Bar is usually frequented by the regular covers bands, who on this restful and relaxing day purvey a mixture of blues and chilled out seventies rock. Nothing too strenuous is forced on the ears, and the familiar faces that flock here each Sunday certainly show how very popular it is. However, a couple of months ago a slight departure from the norm was tested out under the guise of The MAT ROBERTS SHOW. A long standing musician around town, the afternoon was a huge triumph and success as it showcased some of the wide array of acoustic local talent.

The formula this afternoon is very much as before, with our genial host running through a collection of mellow tunes of which most notably, on the eve of St Patrick's day, was a rendition of "Emerald City". Next came Suzie and Martin. An enjoyable mixture of female vocal, male guitarist. They performed some delightful songs with "Journey" earning the longest applause. Mat then returned to play a short set with Amy Lee. Apparently he's then off on a quick dash to an out of town venue and so the hosting duties are handed over to that doyen of Sunday afternoon Esquires gigs, Mr Rob Vernon. He capably gives a warm welcome to the young lads of Valentone. After enjoying their set up on the 'electric' stage a few weeks ago. it's good to see them revelling in the chilled out bar atmosphere. With the room getting busier by the minute, another well known 'face' entertains for a short while. Ed, vocalist and guitarist from popular Luton combo Bowfinger gets a chance to break free from the 'other three', but he is backed up by keyboard wizard Simon who keeps a watchful eye. Toe tapping tunes ensue!

To round thing off, Amy returns with her bandmates Frankie and Edwin aka The Integrals, to play some more of her well known songs, Beautifully performed, they earn well deserved cheers. A thoroughly entertaining couple of hours spent in the company of some very talented young, and not so young musicians. A word of praise must also be afforded to Paul Craven who was twiddling the knobs to ensure such clarity of sound.