Caffeine supported by Groindog and InvolunTerry
Wogan
Saturday 31st March 2001, Bedford Esquires.
The front of the club was swarming with people before the
doors opened, not an unusual sight, but one I'd not seen in a long time. As
the room filled with people, the first band, InvolunTerry Wogan took to the
stage. Instantly, you could tell it was going to be an entertaining night, as
collectively, the band threw themselves, head-first into a bouncing ska riff,
accompanied by a burst of bright brass. Without even saying a word, they had
already managed to establish themselves for what looked set to be a great foot-tapping
bonanza. Already, you can hear the beginnings of a cult following, as various
members of the audience shout out requests for their favourite songs, and from
the start of the set, the crowd has filled the dance-floor, happily pogo-ing
along to the beat, as you can't help but move to the catchy tunes. The usual
onstage antics take place, problems with equipment, random covers of famous
songs slotted into the set, to keep the audience motivated. As the set winds
down with the absolutely silly 'Rupert the Bear', the lead mic appears to have
taken the hint, slowly failing towards the end of the last song, and it is a
while until the next group, GroinDog, Bedford Battle of the Bands finalists,
can take to the stage.
GroinDog have long been selling their own particular style of punk to the Bedford
public, and are now seasoned veterans of the Thirst Club, and you can guarantee
that at least half of the eagerly awaiting punters have parted cash to see this
band alone. A single mass of jumping fans soon gather at the front of the stage,
as the band goes straight into a full set of their own classic sound, and there's
the same kind of feel to it as their partner supporting act, as you can't help
but nod your head, tap your foot, or just simply go all out crazy. A true stonker
of a set, including a lot of new material, which seems to be just as good as
their older stuff, the only down-side being the lack of an encore, but then,
you can't have everything.
Finally, the headliners take to the stage, a three-piece group, reminiscent
of such bands as Blink 182 and Green Day, but instead of the modern mainstream
pop-punk, Caffeine content themselves by bouncing into a flawless ska set, which,
as per their support, keeps the audience on their toes with a good percentage
of the crowd bouncing like lunatics, or simply skanking to beat. The whole set
followed in roughly the same vein, with little variation from the theme, ska
and soft punk. The band's set ends almost exactly as it began, sadly, the monotony
of it's sound, and the lack of between-song entertainment, meaning that it was
met by an audience on the edge of boredom. Overall, a truly great combination
of bands, but it goes to show that there is only so much ska that one person
can take at a time.
Pete Burov